Persuasion after Rhetoric in the Eighteenth Century and Romanticism
Yasmin Solomonescu (ed.), Stefan H Uhlig (ed.)
Published:
2024
Online ISBN:
9780191954474
Print ISBN:
9780192863737
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Persuasion after Rhetoric in the Eighteenth Century and Romanticism
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Frances Ferguson
Pages
103–120
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Published:
May 2024
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Ferguson, Frances, 'Persuasion: Oratory and the Novel', in Yasmin Solomonescu, and Stefan H Uhlig (eds), Persuasion after Rhetoric in the Eighteenth Century and Romanticism (
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Abstract
“Persuasion: Oratory and the Novel” opens by considering Adam Smith’s disparagement of Cicero for highlighting his own authority. While it is not clear that Samuel Richardson knew of Smith’s thinking at the time he was writing and publishing Clarissa, Smith’s discussion chimes with Richardson’s recessive authorship and promotion of the words of the characters themselves to centrality. Moreover, Richardson’s work as the printer of record for the House of Commons would have made him acquainted with the expansion of court reporting as Thomas Gurney launched it with shorthand in the Old Bailey, capturing the exact words of a range of different speakers. Shorthand technology, once a means for preserving the words of a few, became the means of preserving the exact words of many. It also forwarded Richardson in developing Clarissa as a high-water mark for the multi-voiced novel.
Keywords: shorthand, Samuel Richardson, Thomas Gurney, Adam Smith, Clarissa
Subject
Literary Studies (18th Century) Literary Studies (Fiction, Novelists, and Prose Writers)
Collection: Oxford Scholarship Online
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